From the 16th to the 18th centuries, the Islamic world was ruled by three great empires. Though these empires experienced times of conflict, they were continually engaged in mercantile and diplomatic interactions with one another.
Early Islamic art is best encapsulated from the 8th to 10th centuries. That span of time was rife with great political shifts and the gradual creation of an artistic tradition unique to Islamic communities. When the Muslim state conquered the culturally sophisticated regions of land that belonged to the Byzantine and Sasanian empires in the 7th century, it absorbed the culture in those regions as well, helped shape and develop Islamic art.
Ink defines forms and articulates detail on nearly all Islamic art that takes place on paper. The Qur’an and the Hadith directly connect ink with Creation as Islamic tradition says that first thing God created was the pen. The Hadith refers to sayings attributed to Muhammad and the Qur’an is the collection of Islamic scriptures. In Islamic culture, ink is also associated with morality and intellect, and it is considered a sacred practice to copy scripture from the Qur’an in ink.
The people of Jacksonville will have a chance to experience the fusion of Islamic tradition and contemporary artistry that is Riyaaz Qawwali this summer. The concert is an extension of Ink, Silk, and Gold: Islamic Treasures from the Museum of Fine Arts, Boston that will run until Sunday, September 3.
We have come a long way and made it to the regions of Spain and Northwestern Africa! You can find Islamic influences across the globe! The item we are given to examine is a page of the Qur’an featuring Maghrib script, a decorative calligraphy, named for the area of Northwestern Africa and Spain known as Maghrib.
We have come a long way in our quest to learn about Islamic traditions and treasures! In fact, we have come so far that we are in Bukhara, Uzbekistan, the last stop on our journey.
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