Cummer Resources

The Cummer Museum of Art & Gardens is committed to engage and inspire through the arts, gardens and education. A permanent collection of nearly 5,000 works of art on a riverfront campus offers more than 95,000 annual visitors a truly unique experience on the First Coast. Nationally recognized education programs serve adults and children of all abilities.

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Tag Archives: 50 Favorites

#45 Johann Gregor Höroldt for Meissen Porcelain Manufactory

Feb

08

The Ralph H. and Constance I. Wark Collection of early Meissen porcelain is one of the three finest and most comprehensive collections in the world. Ralph Wark (1902-1907) bought his first Meissen piece in 1922, and over the next sixty years acquired more than seven hundred pieces.

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Do You Know The Cummer?

Feb

02

How well do you know The Cummer? If you think you can identify these items—currently on display throughout the Museum as 50 Favorites. Write your guesses in the comment section below and we will give the answers in two weeks, along with the next challenge. One winner will receive a complementary one-day pass to the Museum. Good luck!

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#47 Master of the Stötteritz Altar: Mother of Sorrows

Jan

25

Keep an eye out every week for more visitor favorites. We will be highlighting each of the top fifty pieces during our 50th Anniversary year. If you want a more intimate encounter, stop by the museum and see these masterpieces for yourself!

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#48 Mary Cassatt: Simone in a Large Plumed Hat

Jan

18

    The daughter of a wealthy family from Pennsylvania, Mary Cassatt received her initial artistic training at the Pennsylvania Academy of the Fine Arts. Against her family’s wishes, she […]

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#49 Herman Herzog: Figure in a Landscape

Jan

11

    A native of the German city of Bremen, Herman Herzog entered the Düsseldorf Academy when he was seventeen.  The young artist was attracted to landscape compositions and traveled […]

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#50 Giorgio Vasari: The Holy Family with the Infant, St. John the Baptist

Jan

04

    The intense, bright colors and exaggerations in scale of this asymmetrical composition demonstrate Giorgio Vasari’s close affiliation with the Mannerist style of painting.  The Virgin Mary and St. […]

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